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She starts in First Class entirely on Charles' side, ends up following Erik, and we then find her in Days of Future Past and she's on her own because Erik is gone. She's on her own side in that movie but is drawn toward Charles by the end of the film and shoots Erik. Then in Apocalypse she comes back to Charles. There's a full circle narrative over the span of this little trilogy that is about Mystique from beginning with Charles in the mansion and ending with Charles in the mansion, but not as the same timid little girl we met in First Class.
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X-Men Dark Phoenix is from Marvel Studios, which is owned by Disney Corporation. That means Disney+ is home to X-Men: Dark Phoenix streaming. However, there are quite a number of websites where you can watch X-Men: Dark Phoenix online free. Without further-ado, here are the 6 platforms or websites where you can watch X-Men: Dark Phoenix full movie free of charge:
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Finally, a novel by Matt Wolfrom: The obvious answer to me would have to be Cowboy Bebop more than any other anime I've seen (and there have been quite a few) because I honestly believe that it would succeed if directed, cast, and advertised right.Let me start with the easier, but often neglected, task of advertising for this film. The idea is rather simple, but could be quite powerful if done correctly. The way to market this film , odd as it may sound, is to advertise it as something that it isn't. Now, before fans of this classic anime start trying to find out where I live so that they can hunt me down, let me explain what I mean. When I say that it should be advertised as something it isn't, I mean it should be advertised as a high-budget (which hopefully it would be), summer, action blockbuster, much in the way that The Dark Knight was. Would it be action-packed like The Dark Knight? Certainly, but also like The Dark Knight, it would (again, hopefully) have much more substance to it. Bebop is more than the shootouts and the spaceship dogfights. It is a character study that focuses in on the lives of 4 (5, if you count Ein) very different characters and really allows us, as the audience, to take a deeper look into their pasts, as well as their present-day lives and really allow us to get to know these characters while they are trying to make a living many years into the future. However, movies that are brilliant character studies are usually not released until the fall and winter months in order to recieve attention for Oscar season and usually tend to make very little money unless they are awarded Best Picture, which isn't exactly the kind of response that movie producers would like to recieve from a high-budget film. So, in order to make bank off this one, they have to pull out all the stops on advertising while still maintaining secrecy about how the movie actually plays out, much like The Dark Knight, which was advertised as a action-packed summer blockbuster of good vs evil, but actually delivered a much more complex and darker storyline than many people, myself included, were expecting. That being said however, they can not afford to over-simplify. If they hinge the whole film's advertisements on the concept of "bounty-hunters in space", this movie will flop worse than Speed Racer.Onward to the director. I'll sum it up because the last paragraph was a little long. If Christopher Nolan or David Fincher make this movie, it will be golden. Nolan's fantastic and complex character studies in The Dark Knight have proven to me, and hopefully the rest of the world, that he knows how to build and develop great characters into what they should be while balancing between maintaining the accuracy to the source material and making the characters realistic and believable. Fincher is fantastic at this as well, but also brings some brilliantly technical aspects to his films. Remember the Brad Pitt blips in the early scenes of Fight Club at Edward Norton's workplace and doctor's office? What if Spike had flashes of his past pop in and out on him (and the audience) like that, only to be revealed in depth later in the movie? I, for one, think that would be tremendous. Yes, Zack Snyder is also a name I pondered about for this movie, but until I see Watchmen, I'm not committing to that idea.Finally, the cast.Now, many people I've talked to have said that Spike Spiegel's character is impossible to cast correctly. I disagree, but you do have to look past the fro in order to find someone suitable. My ideal candidate is Brad Pitt, and I'll tell you why. You may or may not think he's lame for being so frequently sighted in the media as the masculine half of Brangelina, but beyond that public persona is the persona he brings with him to the screen. In my mind, he is the slickest and coolest guy in films today, excluding the obvious Samuel L. Jackson. His character in Fight Club was the perfect smooth-operating bad-ass that everyone, including Edward Norton's character, wanted to be. However, it is his ability to make these characters' underlying brilliance shine that makes him the perfect candidate for Spike, with or without the fro.Who would play his counterpart and occasionally more level-headed partner, Jet Black, come alive? That's a complicated one to be sure. If people would forgive me for adjusting Jet's race a little, I would have to go with Samuel L. Jackson. Spike and Jet are the two coolest cats (if you'll forgive the outdated expression) in the Solar System. Why not have the two coolest actors in Hollywood playing them? Plus, if you tone down the exuberance of his ninja in Afro Samurai just a tad to the level of his character in Snakes On A Plane, Jackson's Jet could be the level-headed, but still cool foil to Pitt's trouble-making Spike.As for Faye Valentine and Edward Wong Hau Pepelu Tivruski IV, i.e. Ed, you will probably have to look outside of Hollywood to find the actor's suitable to play these roles. I haven't stumbled across a woman in Hollywood since Lucy Liu ten years ago who I think could portray the cunning and quick-talking, yet inwardly vulnerable Faye Valentine and I sure as hell haven't seen a child-actor who could play a girl who looks like a boy with ADHD up the wall like Ed does, but then again, you don't see characters like that everyday, so maybe there is somebody, we just haven't seen that from them yet.Ein? Simple. Breed a corgi and train it to use its nose to type. Easy enough.Now for the bad news. Now that Heath Ledger has passed away, I don't know of a single actor in Hollywood who could pull off the sinister brutality of Vicious unless we can bring a young Malcom McDowell, fresh off A Clockwork Orange back from the 70s to play the role, but more on him in a second. Javier Bardem might be able to pull it off, but I also had him in mind to play Mad Pierrot if he ever showed up in the movie.Finally, a quick note on a small role done right, in order to fill the roles of the Red Dragon Clan's Council of Elders, who, as there names indicate, are really old with an air of sinister about them, Malcolm McDowell would fit perfectly if, instead of doing the twin effect they've done in The Parent Trap, you instead make it into a triplet effect, with McDowell playing all three of the council's members. In order to distinguish the characters, you would have to dub over two of his on-screen clones, but that's a small price to pay to have his sinister combo of presence and voice sitting in the thrones of the most powerful crime syndicate in the solar system.So to all you fans of the series out there, this isn't blasphemy. Bebop can be made and be successful. It just has to be done right. Oh, and also be limited to no more than 3 movies total if sequels are going to be made.So here's the question for this week. It's a repeat, but we haven't done it in a while and people love it, soooooooooo:
Why are fantasies so suited to franchises? The genre offers many obvious advantages. Fantasies are assumed to appeal most to the teenagers and young adults who have since the 1980s been the demographic sector of greatest interest to Hollywood studios because they had the highest moviegoing frequency and considerable disposable income. Moreover, fantasies lend themselves to a broad range of merchandizing, and fantasy fans tend to collect things. We do not see action figures of the characters in A Beautiful Mind, a film that also lacks the potential for tie-ins with fast-food chains and other producers of publicity-generating ancillary products, especially videogames. Another advantage is that in most cases where a film attracts repeat viewings, it is young people who are going more than once--as in the case of the teenage girls who go to LOTR over and over to see Orlando Bloom (playing Legolas). Young people are more likely to purchase DVDs than VHS cassettes, and the industry would like nothing better than to have the new format take over completely, given that the manufacturing cost per unit is lower and sell-through prospects are more robust. (2) If fantasy films are adapted from popular literature or comic books, some among their existing fan audience will be willing to provide free publicity on Websites. Certainly, fans in various genres provide this sort of publicity, but fantasy series tend to foster an interest in esoteric knowledge (e.g., studying Klingon). The same sort of self-proclaimed geekiness that leads people to construct Websites also tends to be found among fantasy fans. Fantasy films...