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Pirated movie release types are the different types of pirated movies and television series that end up on the Internet. They vary wildly in rarity and quality due to the different sources and methods used for acquiring the video content, in addition to encoding formats. Pirated movie releases may be derived from cams, which have distinctly low quality; screener and workprint discs or digital distribution copies (DDC), telecine copies from analog reels, video on demand (VOD) or TV recordings, and DVD and Blu-ray rips. They are seen in P2P networks, pirated websites and video sharing websites such as YouTube and Dailymotion.
Pirated movies are usually released in many formats and different versions as better sources become available. The versions are usually encoded in the popular formats at the time of encoding. The sources for pirated copies have often changed with time in response to technology or anti-piracy measures.
Cam releases were the early attempts at movie piracy which were implemented by recording the on-screen projection of a movie in a cinema. This enabled groups to pirate movies which were in their theatrical period (not released for personal entertainment). Alternative methods were sought, as these releases often suffered distinctly low quality and required undetected videotaping in movie theaters.
Beginning in 1998, feature films began to be released on the internet by warez groups prior to their theatrical release. These pirated versions usually came in the form of VCD or SVCD. A prime example was the release of American Pie. This is notable for three reasons:
Below is a table of pirated movie release types along with respective sources, ranging from the lowest quality to the highest. Scene rules define in which format and way each release type is to be packaged and distributed.
What is known as an R5 is a studio produced unmastered telecine put out quickly and cheaply to compete against telecine piracy in Russia. The R5 tag refers to the DVD region 5 which consists of Russia, the Indian subcontinent, most of Africa, North Korea, and Mongolia. R5 releases differ from normal releases in that they are a direct Telecine transfer of the film without any of the image processing. If the DVD does not contain an English-language audio track, the R5 video is synced to a previously released English audio track. Then a LiNE tag is added. This means that the sound often is not as good as DVD-Rips. To account for the lesser audio quality typically present in R5 releases, some release groups take the high quality Russian or Ukrainian 5.1 channel audio track included with the R5 DVD and modify it with audio editing software. They remove the non-English spoken portion of the audio and sync the remaining portion, which contains high quality sound effects and music with a previously recorded source of English vocals usually taken from a LiNE tagged release. The result of this process is an almost retail DVD quality surround sound audio track which is included in the movie release. Releases of this type are normally tagged AC3.5.1.HQ and details about what was done to the audio track as well as the video are present in the release notes accompanying the pirated movie.
A DVD-Rip is a final retail version of a film, typically released before it is available outside its originating region. Often after one group of pirates releases a high-quality DVD-Rip, the "race" to release that film will stop. The release is an AVI file and uses the XviD codec (some in DivX) for video, and commonly mp3 or AC3 for audio. Because of their high quality, DVD-Rips generally replace any earlier copies that may already have been circulating. Widescreen DVDs used to be indicated as WS.DVDRip. DVDMux differs from DVDRips as they tend to use the x264 codec for video, AAC or AC3 codec for audio and multiplex it on a .mp4/.mkv file.
Analog, DSR, and PDTV sources used to be often reencoded to 512384 if fullscreen, currently to 640x480 if fullscreen and 720x404 if widescreen. HDTV sources are reencoded to multiple resolutions such as 720x404 (360p), 960540 (540p), 1280720 (720p), and 1920x1080 (1080p) at various file sizes for pirated releases. They can be progressive scan captured or not (480i digital transmission or 1080i broadcast for HD caps).
Blu-ray or Bluray rips (once known as BDRip) are encoded directly from a Blu-ray disc source to a 2160p, 1080p or 720p (depending on the source), and use the x264 or x265 codec. They can be ripped from BD25, BD50 disc (or UHD Blu-ray at higher resolutions or bitrates), and even Remuxes. BDRip now refers to a Blu-ray source that has been encoded to a lower resolution (i.e. 1080p down to 720p/576p/480p). BDRips can go from 2160p to 1080p, etc as long as they go downward in resolution of the source disc. BRRips, which are often mistaken for BDRips, are an already encoded video at HD resolution that is then transcoded to another resolution (usually SD). BDRips are not a transcode, but BRRips are, which change their quality. BD/BRRips in DVDRip resolutions can vary between XviD/x264/x265 codecs (commonly 700 MB and 1.5 GB in size as well as larger DVD5 or DVD9: 4.5 GB or 8.4GB). Size fluctuates depending on the length and quality of releases, but the higher the size the more likely they use the x264/x265 codecs. A BD/BRRip to a lower resolution looks better, regardless, because the encode is from a higher quality source. BDRips have followed the above guideline after Blu-ray replaced the BDRip title structure in scene releases.
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